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Boy World Effigy II


 

Artist : Hart Lëshkina

[ exhibition ]

Free entry

Time

Wed-Fri • 12:00 - 20:00 / Sat-Sun • 10:00 - 16:00

Location : DOKK1 (udsigten)

A multi-channel video and sound installation that engages the historic Danish boys’ choir Herning Kirkes Drengekor as both subject and living system.

Info about the piece

Boy World Effigy II is a multi-channel video and sound installation that engages the historic Danish boys’ choir Herning Kirkes Drengekor as both subject and living system. Positioned between ritual and performance, the choir becomes a mechanism through which the work examines how identity is formed within structures that simultaneously nurture and constrain. Rather than addressing youth as a theme, the artists focus on the choir as a collective body where individuality remains fluid, continuously calibrated against shared codes of harmony, posture, breath, and timing.

Constructed through performative frameworks, behavioral scores, and spatial conditions, the installation unfolds as a constellation of fragments rather than a linear narrative. Moments of cohesion and discipline coexist with subtle ruptures, hesitation, misalignment, or shifts in awareness, revealing ongoing negotiations between agency and conformity. Vulnerability is not scripted but emerges within the friction between structure and improvisation, where participants encounter themselves as both subject and image.

The choir operates as a metaphor for broader social and mediated systems in which the self is shaped through participation, projection, and mutual awareness. Recurring concerns include collective identity, ritualized behavior, avatars, and the internalization of being seen. Attention circulates laterally through imitation, alignment, and self calibration, producing a condition where performance arises from within the collective rather than through external command. Spatially, the installation disperses perception through simultaneity. Video and sound function as interdependent structures, creating a horizontal perceptual field that resists singular viewpoint and total comprehension. Viewers navigate partial visibility, aware that something always remains beyond their field of view.

By translating fragmented media rhythms into an immersive environment, Boy World Effigy II positions the audience within the contradictions of collectivity, holding them in a space where harmony and fracture coexist, and identity remains continuously negotiated rather than resolved. The installation can be experienced at Dokk1 throughout the day.

 
 
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